Lübeck

I recently visited the north German city of Lübeck, which was, a millennium ago, a leading member of the Hansa League that dominated the shipping-trade in the Baltic and North Sea, and, much more recently, the birthplace of Thomas Mann, one of my favourite novelists and to whom I had come to pay homage.  A scholarly friend tells me that Lübeck was also the adopted home of Dieterich Buxtehude, the Danish composer and celebrated organist from the Baroque period and that when Johann Sebastian Bach was a young man, he walked from Arnstadt to Lübeck – a distance of 400km – to hear Buxtehude play.  Unlike Bach, I took the train from Hamburg, a journey of merely seventy-five minutes, and I spent several enjoyable hours walking around the city, stopping briefly to sample some kaffee und kuchen in a café owned by Niederegger, a local company that has been making marzipan flavoured confections for the past two hundred years.  I can confirm that the cake in Lübeck is excellent.

I discovered Thomas Mann’s work as a teenager – Death in Venice plus some short stories – and during my twenties I worked my way through several of his major books, including The Magic Mountain, The Holy Sinner, and Buddenbrooks, his famous early story which was set in Lübeck.  In recent years I have read Dr Faustus and re-read most of the earlier novels, and this year’s challenge is Joseph and His Brothers, the tetralogy set in Biblical times.  First question: why is Thomas Mann’s four volume novel referred to as a tetralogy, whereas Laurence Durrell’s and Elena Ferrante’s four volume novels are always called quartets?  Is there a reason or is this simply convention.  Second question: why do I find Mann’s work so impressive and engaging, always a pleasure to be reacquainted with?  It was this latter question that preoccupied me as I strolled around Lübeck in the winter sunshine.

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Ice skating on a warm February pond

I was speaking to some old colleagues not long ago about hedge funds, in the context of how many fund managers had fallen for the siren song of “investing” in crypto and, given the open nature of their fund mandates (which can in many ways be boiled down to “make money in ways that aren’t boring so investors feel justified paying higher fees than in a mutual fund”), there were effectively no brakes on them piling in. One lamented the fact that he had never been given the opportunity to have such an open investment policy; he had been an equity fund manager and was limited to buying public common stock, listed on major exchanges, with limits as to single name concentration and industry concentrations and minimum holding periods. Another guy (alas, we were all men) talked about how fixed income was quite different: sure, you could take credit bets here and there, but ultimately, the general level and shape of the yield curve drove your returns, and since the Fed was essentially “the house” and could whipsaw the curve at will, he felt like his decisions were always just different shades of lipstick on the proverbial pig.

I took a somewhat different stance. I’ve never run a full-bore hedge fund, but back when I started my career, I had a somewhat hybrid experience of running a general purpose arbitrage fund. The mandate was to beat the return of money market funds, with the same risk profile (ie., effectively none). But there were no real constraints on what we could do in pursuit of that goal. A core strategy, for example, was futures arbitrage: we bought the underlying stocks or bonds of a given futures contract and shorted the futures against it – or at least, we did so when the market implied a carry rate on the contract in excess of regular money market returns. As long as we held on to the underlying and delivered into expiration of the futures, we had a “guaranteed” return – although I was taught, both formally and by experience, that the guarantee required holding the position to maturity, required confidence that the underlying you had bought was, in fact, properly deliverable, that your futures broker didn’t go under during the life of the contract, and that you and your management had full faith and confidence in the Chicago clearinghouses to make good on the contracts at expiry.

What I explained to my friends, though, was that it was the constraints – the career maintenance requirement that at no time would I lose money relative to just buying and rolling overnight time deposits – that made the job incredibly fun. I was supposed to find what in markets should be imaginary creatures – riskless performance superior to the performance of a riskless asset – and do so with billions of dollars, over and over again. And for seven years, I did it. Indeed, what eventually ended that halcyon period was being given the reins of a higher risk fund, which by definition would take bigger risks and would thus theoretically potentially have losses in excess of that theoretical money market fund comparator. I took bigger risks; I lost a bit of returns; and it turned out that management didn’t really buy into the idea that losses were okay and I found it expedient to look for employment elsewhere.

Subsequently to that, I managed bank balance sheets, and having brought the experience of that first career stint with me, I took pains to understand exactly what the constraints were – in other words, what losses were acceptable and what losses were not. I quickly realised that banks, in managing their balance sheets, don’t worry so much about whether a single investment loses money, especially due to changes in rates. They worry about the net gain or loss between what the bank is earning on its assets and what it pays on its liabilities. My job was to balance those two with the broader objective of increasing the net return over time. The constraints, moreover, were orders of magnitude more complex that what investment managers face in the “regular” funds world. I was using maybe 20% of the balance sheet to augment and diversify the other 80% of the assets – mortgages, credit card loans, lines of credit – and was trying to raise about 50% of the balance sheet in institutional funding markets while keeping a strong eye on what the deposit people were doing to bring in customer funds. When times were good, it felt like ice skating blindfolded on good smooth ice, but you always knew the ice might start getting chewed up – and you were never sure how thick the ice was and whether it would hold your weight if you fell down. I loved it, but to be sure, the ice broke more than once.

I’ve thought about this quite a lot recently, though not so much for what I do – I consult with banks on how to manage their balance sheet, but I’m no longer doing the skating, and I manage a small hedge fund, but it’s simpler conceptually than any investing I’ve ever done, even if what I’m buying and selling is intricate and complex to value and trade. Where it’s come into my thinking has been in thinking of the Fed and how it’s managing the money markets these days.

It should be noted that every bank treasurer I’ve ever met who’s worth his or her salt ultimately wants to be either a Fed governor, ideally the Chair, or running the open market operations desk for the New York Fed, essentially the head of portfolio management for the largest and most significant bank balance sheet on earth. I’m no different; that latter job, in New York, from an investor perspective is actually a bit boring – the market knows how you need to trade before you do – but it’s the interaction with the market, and the influence of being the go-to person for the rest of the Fed on the constant question of “so what’s the market really thinking about us?”. My fellow traveler here on the site, Mark, once served in that role for the Bank of England on their short term money desk – admittedly a bit of a junior currency regime relative to the US dollar system, but still, a part of me will always be green with envy that he had that desk for a period of time. I think often about what I would be doing today, at 9am on a Wednesday in February 2023, if I were sat at the screens in lower Manhattan instead of in front of my laptop on holiday in the Hamptons.

The Fed doesn’t just operate the largest single balance sheet on earth; it also sets the price of overnight money for the rest of the US dollar banking system. It is, after all, both the marginal buyer and seller of dollars to all other parts of the market – either directly, through its discounting and repo operations with banks and primary dealers in the US Treasury markets, or indirectly, as the rest of the market ultimately transacts with those banks and dealers and their capacity is set by what the Fed demands of them or they demand of the Fed. But in operating the rest of the balance sheet – funded by deposits from member banks, by currency outstanding, and by excess government balances – it creates ongoing indirect impacts on the demand for money and, thus, for the stability of the rate which it sets on money. If the balance sheet gets too big, the Fed can inadvertently distort the long term price of money, which then creates pressures on the short term demand for money depending on how they set the overnight rate. If the balance sheet gets too small, banks may be forced to place excess deposits in riskier assets, which can result in inflationary pressures which ultimately may require an increase in the short term rate, which in turn can stifle economic growth.

And the Fed has two missions. The first – to maintain long term stability in the value of US dollars – gets the most press, or at least it does for me because I’ve lived in the financial markets for going on thirty years now. The second, though – to enable monetary conditions consistent with the maintenance of full employment in the US economy – is the real kicker. Those objectives aren’t always in alignment, even if over the long run, there’s good reason to believe that economic systems engender optimal employment conditions when price stability is maintained. In the short run, however, Fed governors get appointed, confirmed, reappointed, and retire; in the short run, there are elections of the presidents who choose the governors and of the senators who confirm them; in the short run, the financial and popular press (and in today’s world, social media) interpret for the voters whether there is or is not alignment and regularly tell the Fed just what they think of the balancing act. If, back in the day of running a short-term arbitrage fund, I was ice skating blindfolded, then the Fed (and its system manager) ice skates blindfolded, with a rhino strapped to their back, as the warm springtime sunshine is starting to melt the ice.

Twelve months ago, as inflation started to spiral upwards, plenty of commentators (and politicians) blamed the Fed for “waiting too long” to rein in inflationary pressures in the monetary system as the economy returned to normal after COVID lockdowns and as the cumulative impact of $5 trillion in fiscal stimulus started hitting the economy with full force. Such criticism was ridiculous: most of the nattering nabobs of the publishing classes found it convenient to forget that there had been quite recently a pandemic which resulted in the largest two-quarter decline in GDP in history; anything the Fed would have done would have been at least somewhat wrong, and to have gotten it “wrong” in a way which maintained broad employment stability should have been cause for celebration, not whinging. But even beyond that, the short term blinders which focused on “inflation surging higher” ignored the prior decade of below target inflation, which had led the Fed to attempt monetary stimulus that led to the disruptive asset bubbles in real estate and other long-term assets which were beginning to harm household balance sheets. If anything, it was to the good that the Fed let inflation run up a bit – especially since the resulting sectoral decline in real and financial asset prices which we’re still observing is doing much to normalise wealth imbalances in the US domestic economy.

Now, with unemployment at historical lows – so low, in fact, that wage pressures continue to build – and with inflation still running well above historical averages, let alone its own target, the Fed is being criticised for potentially “overshooting” on rate hikes. Or worse yet: some observers believe the Fed will be “forced” to engender a recession in the US in order to get to the long-term target inflation level of 2%, with a number of articles in the past couple of weeks suggesting that the Fed should do away with the 2% target and allow inflation to run higher, longer, so as to ensure no job losses.

This all serves to remind me of that first job I had, running derivatives arbitrage strategies. There was one objective, well understood: beat the returns on overnight deposits. There was one iron clad constraint: don’t lose money, ever. That meant the returns were rarely stellar, but management also didn’t have to ever go back to investors and explain a loss. Then I was given what in theory was a “more fun” job: beat returns on overnight deposits by a lot – clear enough – but the constraint got squirrelly. It wasn’t “don’t lose money, ever”; rather it was “try not to lose money, but you’ll only know that a loss was too big after the fact”. That second job sucked.

At the banks I managed as treasurer, the objectives were actually quite tricky: some mix of meeting risk targets, “optimising” net interest margin, maintaining adequate ready liquidity, but the constraint was back to iron clad: always make sure your capital levels exceeded minimums with a cushion, and always have enough cash to pay the bank’s obligations on demand. I love that world of hard constraints – even if they are multi-dimensional, even if they sometimes were contradictory. The lack of ironclad objectives meant that there was always room for someone – a head of commercial lending, say, who thought they were being charged too much to fund their loans – to complain about how well I was doing my job, but with hard constraints to fall back on, I could find a way to navigate the bank with firm knowledge of, as it were, where the ice was getting thin.

The Fed has its constraints, loosely worded as they are, and the very size of the Fed and of the US dollar economy at which it stands at the centre mean by definition the job of managing their balance sheet is impossible to get right. Indeed, as the press reminds us (in particular with its own lack of memory), if you get it right in one period, it’s assumed you’ve planted the seeds of failure in the following one. Managing with such background noise as that must be intensely stressful, but the Fed’s governors have done an admirable job, and show no signs of cracking or falling prey to obvious mistakes. And arguably, they’ve done better than most other central banks – Japan, Canada, UK, the EU – despite the external noise, and despite being the obvious magnet for global monetary criticism. I think, though, it’s the fact of their constraints that enables such success.

Hedge fund managers often seem like the ubermenschen of the capital markets. The press avidly tracks their yacht and real estate purchases, and hangs on their pronouncements, whether it be on corporate governance or management style or talent selection. But in reality, most hedge funds die and fold quietly, and for every Citadel, there’s a dozen crypto and meme fund blowups. On the other side of the coin, the constraints we place on banks, on money market funds, and on our central bank are the unspoken key to their long term sustainability and success.

As we think about what may be required to face larger global challenges – global warming, for example, regardless of what you think its origins may be, or pollution control, or demographic changes – it’s worth reminding ourselves that the constraints are what bring out the most creativity and, ultimately, the most consistent success. We might miss out on the next upside trade, but knowing how to skate the thin ice is what will keep us alive.

Due process

When I was a student, I was twice elected to be one of the two undergraduate representatives on my College Council.  Looking back, I realise that I was rather ineffective, never fully understanding the relative importance of the various items on the agenda, nor knowing how to be persuasive in discussion, nor being able to build alliances with those academics who were sympathetic to the student viewpoint.  It was, as they say, a learning experience.  During this time, I thought it important to attend the monthly student union meetings, to be informed about the issues that my fellow students were discussing and aware of anything that might need to be presented to the College Council on the students’ behalf.  It was at one of these meetings that I witnessed a disreputable breach of good process, that was successful in the short term, but caused sufficient reputational damage that it was soon rescinded.

The student union in the College was responsible for distributing funds to societies and clubs, generally according to their popularity, adjusted for the costs of the activity.  The newly elected head of the student union was keen to reallocate money away from one of the big sports clubs, to fund other societies with which he had more sympathy.  His plan had some merit, but it would be controversial.  His proposed funding allocations were due to be debated at an open meeting, under item 10 of a long agenda.  It would likely take an hour or so to get to this item, after various reports, updates, and a discussion about the annual college party, had been dealt with.   As I headed to the meeting, I passed the College bar, where members of the under-threat sports club were gathering.  They were going to drink beer first, prepare their speeches, and then show up at the meeting to vote against the proposed cut in funding.

The meeting started, sparsely attended, and the minutes from the previous month were approved.  The head of the union then suggested a change to the order of the agenda: we could, he said, take item 10 now, to approve the new funding allocations, and then go back to item 2, ‘matters arising from the previous meeting’.   The attendees all laughed, thinking this was a joke but the chair, persisting with his plan, invited anyone who wished to speak for or against the recommendation on club funding allocations to raise their hand.  One student – clearly briefed beforehand about this ploy –spoke in favour of the redistribution of resources, after which the resolution at item 10 was passed without dissent.  The multitude of sport club members who were about to lose 20% of their annual funding were still sitting in the bar, unaware that they had been disenfranchised.  An hour later, when they arrived at the meeting, there was uproar when they discovered that the motion they had come to vote down had already been approved. 

Under “any other business”, the captain of the sports club proposed a motion of no confidence in the head of the student union, which was passed by a show of hand.  A constitutional crisis loomed.

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Apocalypse

Three years ago, my son’s godfather and I built a series of plywood and garbage 2″x4″ tables in my basement. My son’s godfather is a big model train guy – “there’s no scale like O scale” – and he and I have purchased quite a lot of track, rolling stock, and scenery for my son’s benefit over the years. I say for my son’s benefit but obviously, we’re buying stuff because we like it, and we’re hoping beyond hope that he’ll inherit our hobby, or obsession, or what we convince ourselves is a happy and healthy addiction, unlike our unhealthy addictions which are well known and need no restatement.

However, three or four months ago, my son started asking for Lego “modular” buildings, which are designed to be connected to one another to create Lego town landscapes. As a member of my town’s long range planning committee, I love this: he seems to intuitively understand that creating a coherent and lively, dense and connected townscape is one way that we get to celebrate the concept of community – far more than what Scarborough does in its personality-free high speed Route One and Payne Road corridors. My son in his Lego aspirations is showing a desire to be a part of a quietly and humanised urban landscape, with bookstores, Grand Emporium legacy department stores, boutique hotels, town halls, and police stations. And even a few suburban homes scaled in line with the town – and all located by a train station of our own, shared design, including a frequent traveler lounge (hanging out with his father through O’Hare and Newark and Sea-Tac has made the boy a keen observer of airline business class amenities) and a depersonalised train ticket dispenser which obviates the need for a local ticket office agent.

At a certain point in late November, the boy asked to put together the Lego town in place of the O Scale Lionel train layout. I was torn, because the model train stuff was a connection to the early 20th century that would be severed for my son, and I really want him to be as excited about that sort of thing as I am. But as I thought about it, he’s already there: he knows more about World War II than his teachers and his school mates, and if I’m honest, he knows more about pre-Civil War western US expansion than I remember from my undergraduate American history education at Harvard. He’s not rejecting anything: he’s trying to create something new of his own. And swallowing hard – and not telling his godfather in Massachusetts who loves O Scale more than he loves New Haven thin crust pizza – we destroyed the model railroad layout and started building the Lego town, complete with Lego trains but far more focused on the buildings, the minifigures, the road plates. We casually destroyed one world in order to create a new one based on a very different scale and purpose.

Two weeks ago, my son did roughly the same thing. We have what is called a Minecraft “realm”, which is an online world scape that I pay $6 a month for that enables the boy and his friends to build and create all sorts of stuff on line that, to me, has no meaning whatsoever, because video games are just about as meaningful to me as bitcoin, which readers of this blog will realise is to say, absolutely nothing. My son was getting a little annoyed at his friends’ creations – five other boys have access to the “realm”, three of which are particularly active but the other two boys have retained the right to come into the realm and be pests when they’re bored – so he reset the realm. Basically, he wiped it clean, much as we had wiped the plywood tables clean in the basement. The other boys still had access, and could still build whatever they wanted – but now on a new, clean tabula rasa.

The other boys descended into a kind of ten year old DefCon Five with a speed which should make anyone familiar with geopolitical conflict recoil in terror.

One boy threatened to hit my son in the face on the next day. Another cut him off from texting access. A third – frankly I’m not sure whether to be impressed or terrified – programmed an online bot to send my son text messages saying “Fuck you” every thirty seconds, and then told my son he would hack his school email account and use it to send bad messages to everyone at school.

My son did almost everything right – he let his parents know what was going on, he let his teachers know what was going on – and his parents intervened with alacrity but also with cool nerves. Other parents were informed, and on discovering their sons’ misbehaviour did all the right things. On discovering that the source of the civil unrest was the boy’s cavalier destruction of the realm, we realised that we hadn’t talked to him about stewardship – he was, in essence, the curator and protector of a creative sandbox which five other kids were using to explore their own creativity – and we hadn’t talked to him about the consequences of simply killing that world on a whim. He’s… well, I’m not sure he fully gets that yet, but on a certain level, understanding the power of global destruction is a lot for a kid who will turn eleven in early May. To the extent he’s absorbing any of this lesson is a huge step in his moral development; to the extent his friends are dialing back their own reactions and realising “wait, this is only digits in the cloud” is also a major step forward in their moral development as 21st century citizens. This whole episode, in other words, is going to create better adults out of this collection of five boys, united only by living in the same town in southern Maine, with parents who are both confused by the technology in which they live and at the same time are willing to open cans of whoop ass as appropriate when their kids text “Fuck you” to other kids.

But it does strike me that there is a creative element in human imagination which can be dangerous. The same instinct within us which drives us to paint, to sculpt, to write, to create, is at the root of the instinct to destroy. Not, per se, to destroy other people – our artistic impulse doesn’t motivate the Holocaust by any means. But our capacity to create makes it easy for us to destroy that which we have created without, really, feeling any obligation. I painted what I think is a very nice landscape painting of the Alberta foothills north of Calgary, which is now in the back of my car and, frankly, if it shatters in the -25C cold this evening and dissolves into atoms, I won’t really care about. But that unconcern also informs my feelings about four other paintings in the car – three by the ex-girlfriend, one by the boy – that also are as at risk to cold-driven destruction. In my mind, though, their continued existence or immediate destruction are both, well, “meh” events.

The boy and the ex-girlfriend might feel differently, though, just as the boy’s friends had a very different perspective on the instantaneous destruction of their Minecraft realm creations when my son hit “return” when asked “Are you sure?” by a dialog box a couple of weeks ago. I’m not arguing that our creations should be eternal: far from it. But we create all too easily, and we destroy even more readily than that. Yes, in most cases we create things that aren’t that good – my Alberta landscape is less than amateurish, it’s frankly just crap – but the ease with which we create and then can destroy leads to an impulse to destroy which really, frankly, isn’t healthy. It gives us a sense of power, that we can create, destroy, and create again – a sense that infuses our being from the earliest ages of awareness – which is at odds with the finite nature of our lives, of our existence in nature, of our experience of time and of being.

The O Scale railroad layout, fortunately, remains simply a deconstructed potential – it’s all made of plastic and copper, and has been put away neatly in cabinets, awaiting the construction of new, alternate plywood tables on which it can be created anew. The Lego sets, made of seemingly eternal hardcore plastic, can be taken apart and reconstructed at will, with enough patience and given that we’ve saved all the instruction manuals in a plastic storage crate in a corner of the boy’s room. As adults, though, we build, destroy, forget, and ignore the costs, all because the act of creation – and its mirror image acts of destruction – are all to easy to learn, back when we were children.

Ironically, then, my son’s deletion of the Minecraft realm taught a much more powerful lesson than the worlds of 19th and 20th century children with their playthings: when he hit yes to the question “Are you sure?”, the destruction was permanent. We can’t recall it – indeed, I called Microsoft; the boy really did permanently destroy the realm. His friends acted, therefore, quite rationally in their despair and confusion. The lesson is really for the adults: we destroy at our peril, and we can’t get it back when we say yes to “Are you sure?”

The paintings in the car – both the lousy landscape by my hand, the more practiced works by the ex-girlfriend that she abandoned years ago, and the nostalgic doodlings of the boy from back when he was four years old in a tiny apartment in Seattle – may not survive tonight. But if they do, I’ll make sure to preserve the son’s childish attempts at representing trains. And when I let my own work, or that of the ex-girlfriend, shatter in the February arctic cold, I’ll at least pause and reflect and think about the fact that destruction means at least as much as the act of artistic creation.

Stay warm, folks.