Last year, I gave a friend a jigsaw puzzle as a present. The image printed on the puzzle was taken from an Andy Warhol print made in 1970, from his Flowers series, and comprised four hibiscus blooms – coloured yellow, orange, and red – each with a pink shadow and set against a blue background. Warhol took the image from a photograph, which he edited to create a flat, two-dimensional visual field, and then he printed it using a silkscreen to create a smooth inked surface on the paper. Consequently, the five-hundred-pieces of the jigsaw are mostly pure colour, with no visible structure or depth, and the only clues to assist in piecing them together are the colour borders. Completing the puzzle took some time.
My friend took appropriate revenge, insisting that I undertake the challenge of a four-thousand-piece jigsaw puzzle, in this case the image was a map of the world. Although the information on the map is contemporary – it includes Bosnia & Herzegovina and East Timor as independent nations, for example – the design and lettering are old-fashioned, as if the map had been drawn by hand. Much of the image, naturally, is taken up by large expanses of ocean in varying shades of sea green. It took me some time to complete the edges, the outlines of the continents, and the map legend; filling in the interior of the continents was quicker, because of the multitude of city names; but the final stage, piecing together the southern oceans and especially the spaces between the Micronesian islands and Pacific atolls, required considerable patience and concentration.
Continue reading “Ignorance, part II”