Author: Mark Hannam

Start spreading the news: after two years of pandemic restrictions, for the past six months it has been possible to travel once again.  I have been taking advantage and getting onto planes and trains to enjoy the capital pleasures of Europe.  Top of the list was Lisbon, which I visited over Christmas, followed by Paris in February, Athens in May, and then Berlin and Edinburgh in June.  I will be in Belfast briefly this month, before a trip to Vienna in August, on my way to a friend’s wedding in Transylvania.  Having grown-up in a monochrome commuter town, I count myself lucky to have escaped suburbia for the multi-coloured metropolis.   Now, I live in the centre of London and when I go on holiday, I want to wake up in a city. 

That’s not to say that the countryside does not have its pleasures.  I enjoy spending time on the west coast of Ireland, which I visit regularly.  I like the silence of the moors, save for the sound of water cascading down mountain streams, and the challenge of climbing the steep local summits, to enjoy views of the Atlantic and the sea breeze in my face.  It’s easy to find that I’m king of the hill after walking for hours without another person in sight.  And later, in the evenings, to sit and read with only the sound of the wind for company.  There is comfort to be found in the solitude of the wild places of the earth, and a sense of rejuvenation right through the very heart of it. 

Continue reading “Small town blues”

Last week, the football team I support played against our local rivals.  I followed the game on a live-text website using my mobile phone, checking on the score every few minutes for the first hour or so, until the result became foregone, which is the next best thing to watching the game live on television.   One of the great joys of sport is experiencing the changing fortunes of your team, or the individual for whom you are cheering, in ‘real time’: this is true for the ten seconds of the Olympic 100m final, the hour and a half of a Premiership game in North London, the five days of an Ashes Test match, or the three weeks of the Tour de France.  There is, no doubt, some pleasure to be taken from a long period of sporting success for a team or an individual, but this is not quite the same as the thrill of the live game or race, and as anyone who has played sport seriously knows, you are only as good as your most recent result.  It’s the short term – the present moment – that matters most.

In this respect, sport is quite dissimilar from the rest of our lives.  Most of the time, it’s the long term that counts and our pleasures, benefits, and advantages are accumulated slowly and steadily; likewise, pains, costs, and disadvantages pile up incrementally, often unnoticed, until the task of dealing with them becomes overwhelming.  Compounding is not just one of the wonders of the world, it is also one of its fundamental operating principles.  For which reason, if we want to know what is going on around us, to understand the deep causes that determine the way the world works, rather than look at day-to-day fluctuations and momentary variations, we need to study the forces at work over the long run; we need to attend to la longue durée.  I would rather watch a race between hares, but to comprehend the world we need to keep track of the tortoises.

Continue reading “La longue durée”

Would you swallow the blue pill or the red pill? 

The blue pill returns you to the invisible prison that is your artificially simulated reality, whereas the red pill allows you to discover the truth of your enslavement by the machines.  Have you ever wondered why you only have two pills to choose between?   If you buy a pack of chocolate M&Ms you also get brown, green, yellow, and orange options. 

In a famous poem, Robert Frost described his moment of choice between two paths in a wood, knowing that he might never pass that way again he surmised that the choice he was about to make would later seem to him to have made all the difference.  Did he never consider the possibility that he could reject both paths, and make his own, new track through the woods?   In the mid-nineteenth century, the Danish philosopher, Søren Kierkegaard, wrote a famous book, Either/Or, in which he compared two approaches to the conduct of life, one primarily aesthetic the other ethical.  Is there not a third way?  And not just a third but, perhaps, a fourth, fifth, sixth, and seventh way to live.  What is the attraction of binary choices?  In part, for the decision maker, choices become quicker and easier for there are only two option to consider.  Our bodies and our language normalise this way of thinking: on the one hand, on the other hand.  In part, however, the binary structure allows the person who is presenting our choices to us, to seek to persuade us to do something we might otherwise be reluctant to do, by making the alternative highly unattractive.  There is significant rhetorical force in the design of a false dichotomy. 

Continue reading “False dichotomies”

When I was ten years old, I asked my parents to buy me a guitar so that I could learn how to play.  I had been given a vinyl recording of classical works transcribed for the guitar, performed by Andrés Segovia, and I decided that I would learn to play like him.  I duly received a small guitar, with nylon strings suitable for a beginner, and I started going to weekly lessons to learn the basics of how to position the fingers of my left hand against the frets and how to use the fingers of my right hand to pluck the strings.  In due course, I bought some music scores for guitar – works by Bach, Sor, Villa-Lobos, and Schubert simplified for those just starting to learn to play – and I was delighted when, after much practice and having overcome many mistakes, I was able to play a few bars. 

I never achieved my goal of becoming as good as Segovia.  There were, I now understand, three reasons for this failure.  First, I did not practice often enough or long enough.  After an initial burst of enthusiasm, my desire to learn how to play scales, read music, and improve my finger technique quickly diminished, and anyway was never able to compete with my duty to complete my homework and my desire to play sport.   Second, my taste in music changed.  For a while, I imagined that I could become as good a guitarist as Carlos Santana; then I lowered my expectations and decided that it would be sufficient to become merely a competent player, so long as I could write songs that were as good as Bob Dylan’s.  I bought an acoustic guitar, with steel strings and a plectrum, and switched my attention from Baroque to Blues, but the results were not much better.  The third and most important reason for my failure to become a great guitarist was my inability to distinguish sounds accurately.  I have met people who can listen to a melody once and then play it, whereas I struggled to tune the strings of my guitar.  Generally, I have no idea what key a song is in, nor can I judge the intervals between notes, nor do I really understand how the chord sequences work.  Whether this is at root a physical problem – that the sensitivity of my ears is just not good enough – or, rather, the consequence of a lack of training of my sense of sound, I do not know.  At some point, however, it became clear to me that I was never going to become a competent musician, let alone a great one.

Continue reading “Changing the tempo”

I used to think that War and Peace was the best novel ever written, but then I read Anna Karenina and was no longer so sure. 

Tolstoy wrote Anna Karenina in the 1870s and he conceived the book as a literary riposte to John Stuart Mill’s advocacy of women’s equality.  Tolstoy was a great believer in marriage and large families – his wife gave birth to thirteen children – and notwithstanding his numerous casual sexual liaisons prior to his own wedding, including fathering a child with one of his serfs, his views on women’s role in society were deeply conservative.  His greatness as a novelist is in large part due to his ability to write sympathetically about characters whose behaviour he fundamentally disapproved of.  Most modern readers will find Anna’s choices defensible, her treatment by her husband deplorable, her social ostracism hypocritical, and her suicide tragic.  It is possible to admire the story without thereby partaking in Tolstoy’s moral disapprobation because his portrayal of Anna’s actions and their consequences present us with a credible and moving account of one of the great universal themes in human experience.  Whatever his personal views, Tolstoy describes his own society with precision and sensitivity, but without direct judgement.

On reflection, however, I still consider War and Peace the better book not least because in this earlier story Tolstoy’s array of characters were situated within a moment of dramatic social and political upheaval, as the Napoleonic armies swept east from Paris to Moscow.  In this case, we are treated not just to a series of descriptions of personal love and loss, of ambition and disappointment, of friendship and enmity, and of military heroism and incompetence, but also to a panoramic view of the Russian nation in turmoil.  This lengthy book is then brought to a bizarre conclusion by a diatribe by the author on the meaning of history, the chaos of war, and the fundamental error of according a role to “great men” in the achievement of social change.  War and Peace is a great novel – perhaps the greatest novel – precisely because Tolstoy does not just tell an interesting story with strong characters, good plot development, and a well-balanced narrative structure, but he also tells us many interesting and important things about life, by sprinkling liberally into the text many of his own eccentric opinions.  (This is also the reason why Cervantes, Melville, Joyce, Proust, and Musil are great novelists too).

Continue reading “Russia at war”