Morality and the artist

Caravaggio painted some of the most exquisite paintings in history.  His command of color – back in the era when artists had to create their own pigments, often crafting their own brushes as well, with far less range than is possible in today’s chemical world – is still almost unsurpassed, and his ability to create darkness and light is just breathtaking. Literally: I can remember once about ten years ago when the National Gallery in London had an exhibition of his work, the first time I had really seen it, and I stood in front of Cardsharps and just stopped breathing for a few seconds, taken out of myself by the way the thick black velvet tunic of the mark seemed to shimmer, eighteen different shades of black tuned with what, some grey, some white to indicate the folds?, and took note of how the shadows on the wall were black but not the same kind of black, not the black of Gibson Stuart’s backgrounds on the portraits of the founding fathers but the black you’d see on a badly candlelit stucco wall.  How did he get that right?

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Unlimited quantities

It’s a rainy day in Maine, and my son is working on projects from Richard Scarry’s Best Rainy Day Book Ever, which consists of about 200 pages of coloring, cutouts, drawing exercises, games, and the like.  He’s having a grand old time with me on the porch as I type this essay.  I’m interrupted periodically by questions about color, for which I am singularly unqualified; he asks what color I think various things should be, but fortunately, he usually rejects my suggestions.
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Last bone

Pour yourself an extra large measure of scotch.  Get the bone from the fridge, it’s in a vacuum pack.  Find the scissors and cut it open.  The bone, a fine leg bone from a lamb who didn’t realize his or her sacrifice was for another creature not so different from themselves, is a bit bloody.  Perfect for the dog.

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Happy anniversary

I started this blog one year ago this week.  My first post was about an overnight stay in a small city in France.  I’ve been asked several times why I write and post my thoughts online; for some it’s a kind of arrogance, for others its been viewed as a violation of privacy, while still others are just puzzled by the seeming contradiction of it.  I am radically open but in a quiet way – there’s no effort on my part to increase web traffic other than occasional requests of readers to forward on the link – which is strange.  I’m not jumping up and down, calling attention to myself, but I am talking publicly about deeply personal things, or at least, things which are deeply personal to me.

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